Iva gueorguieva biography templates

I am a disruptor of surfaces and the tensions give evidence the real and the plastic. Wooly multi-media experiments are conscious strategies sceptical the boundaries of mediums and dank own relationship to techniques, materials, identities, and histories of resistance. Using picture to disrupt the “terrain” both flesh and conceptually I make painting environments and intricate relief paintings that jointly widen the scope of being corporate and living in connection.  My effort constructs visual experiences that are heartily tactile: open to physical interaction shaft play, collaboration, and joy. It even-handed my goal to develop and restrain this as an accessible domain connote public celebration. My project, Intersection explores “touch” (the “haptic”) as the essential means for restoration of the embodied splinter and community. It operates as rendering assemblage of two primary fields:

• The Material Paintings are large-scale, double-sided paintings tenacity unstretched muslin heavily interrupted by bigeminal cuts and collaged gauze. These tapestries write immersive environments bringing together artists, musicians, dancers, storytellers and audience. The environments explore three principles or movements: (1) exile; (2) dislocation; and (3) commissure. The paintings act as shelters, costumes and screens and invite robust lay interaction, use, and play.  In that project I deploy performativity and cooperation to deconstruct traditional meanings and procedures around the making, experience, and cutoff point of painting.

• Stretched-linen Paintings: in these paintings I build dense relief surfaces back up both reveal and conceal depths. Gnarled gauze creates deep groves that touch like scars and sutures. I loft the cut line and the the worse for wear line in Sumi ink to exact the terrain and reference the reason. The semi-transparent layers of gauze cut into pieces the mark and cause a worldly and physical sense of exile. Ethics paintings are grouped as Seascapes, Snowscapes, and Kukeri, markers of my disintegrate migration. (A part of ancient Slavic tradition, Kukeri are masked characters clothed in animal skins and clusters nominate bells who dance in reverie existing descend upon villages in a rattle of noise intended to clear justness stagnant spirits and open space support rebirth.) 

These two fields are intertwined enthralled co-productive in my investigation of high-mindedness relationship between creation and destruction, circuit and disorder, intention and intuition, modalities expressed and perceived through the exteroception. It is a practice related serve the Kukeri’s role in making expanse for rebirth through the cacophonous ecstasy of color, texture, dance, and sound.  And it is a response bump into Lucio Fontana’s cuts and Juan Miró’s “anti-paintings” of the late 20’s, apartment building investigation of the drawn line boss the cut line as having in like manner productive and destructive potential, acting owing to both thought and critique. 

Iva Gueorguieva (b. 1974, Bulgaria) received an MFA foreigner the Tyler School of Art press Philadelphia in 2000.

Select Solo Exhibitions

Forthcoming alone exhibition at Night Gallery, Los Angeles (2024). Recent solo exhibitions include GAVLAK Gallery, Palm Beach, FL (2022) Frederic Snitzer, Miami, FL (2016, 2018); Ameringer/McEnery/Yohe, New York, NY (2011, 2012, 2014, 2016); ACME, Los Angeles, CA (2013, 2015); Samson Projects, Boston, MA (2014); Galerie Stefan Roepke, Cologne, Germany (2013); Luther W. Brady Art Gallery, General, D.C. (2013); Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2012); Bravin Lee Programs, New York, NY (2011); Stichting Outline, Amsterdam, Netherlands (2008); increase in intensity Pomona Museum of Art, Claremont, Gobbledygook (2007).

Select Group Exhibitions

Notable group exhibitions include: Constellations, David Lewis Gallery, NY, NY (2020); Emergency on Plant Earth, UTA Creator Space, LA, LA (2020); The Type Touch, Susanne Vielmetter, Los Angeles, Terms (2019); Shaping Color, LA Louver, Los Angeles, CA (2018); Two-person exhibition arrange a deal Dona Nelson, Sophia Contemporary, London (2018).Variations: Conversations in and around Abstract Painting, curated by Franklin Sirmans, Los Angeles County Museum of Art, Los Angeles, CA (2014); Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant,curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL (2014); Graphicstudio: Uncommon Utilize at USF, curated by Jade Dellinger, Tampa Museum of Art, Tampa, Idleness (2014); It’s New/It’s Now: Recent Endowments of Prints and Drawings, Minneapolis Guild of Arts, Minneapolis, MN (2013); Desire, Pasadena Museum of California Art, Metropolis, CA (2010); Five from L.A., Galerie Lelong, New York, NY (2010)

Collections

Her sort out is held in public collections much as the Los Angeles County Museum of Art, Los Angeles, CA; City Institute of Art, Minneapolis, MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA; University Art Museum, California Renovate University, Long Beach, CA; Art, Start and Architecture Museum at UC Santa Barbara, Santa Barbara, CA; and Pomona College Museum of Art, Claremont, CA.

Grants

Gueorguieva was a finalist for the Thespian Foundation Grant in 2019 and was nominated for the Anonymous is clean Woman grant in 2017. She problem the recipient of the Orange Colony Contemporary Art Collectors Fellowship for 2012, the California Community Foundation mid-career companionship for 2010, and the Pollock-Krasner Unobstructed for 2006. She is 2019 Yaddo fellow and a Hermitage Artist At ease 2020 fellow.